As a music technology teacher it’s often useful to go through a track in its entirety as a case study. Normally using your own music makes the most sense as you have access to all the stems and have prior knowledge of the sound design, chord progression choices, where samples are taken from etc.
Monthly Archives: January 2016
Something that regularly crops up is questions about demystifying mastering, and whilst I’m not the person to go into detail about exactly how to master your own music, there is a case for shining some light on the subject.
When I was younger and first getting into learning about harmony I was always fascinated in particular by certain jazz pianists and their ability to string long complex chord sequences together, drifting in and out of original key with ease.
It feels like Sim Hutchins has come out of nowhere, and in a relatively short space of time has made some lasting ripples in the London art house music crossover scene.
Equalisation, more commonly refereed to as EQ, is the process of balancing frequencies to give a more pleasing overall sound to an individual track, group of tracks or master.