Category Archives: Synthesis

Ridley Scott’s 1982 Cyberpunk film-noir adaptation of the 1968 Philip K. Dick novel Do Androids Dream of Electric Sheep? changed science fiction forever. Similarly to how Star Wars and 2001: A Space Odyssey had done previously, and how later The Matrix would, the genre could ever be the same after Blade Runner.  Continue reading...

There have been countless words written about kick drum synthesis and layering kicks within Ableton and Logic (in these pages and elsewhere), so I thought I’d try and bring something new to the table.  Continue reading...

Subtractive synthesis is easily the most important type of synthesis you will come across. Why? Because everything that falls under the subtractive umbrella term has gone on to directly influence other types of synthesis such as additive, wavetable, frequency modulation and nearly kaanything else you can think of.  Continue reading...

The Fat of the Land was the Prodigy’s third album, and a huge commercial success. Released in 1997, I still remember buying it on cassette and taking it home to listen to for the first time (there were no leaks or previews in those days!)  Continue reading...

Radiohead’s Kid A saw a change in direction for the Oxford five-piece. Released in 2000, and sandwiched between OK Computer and Amnesiac, it’s probably fair to say it had a little influence from both of these albums.  Continue reading...