Category Archives: Synthesis

If you caught our eurorack introduction and have the bug to start embarking on your own system, then you’re in the right place. If you didn’t, I do highly recommend reading it, as some of the terminology in this will be more properly explained in the first part.  Continue reading...

Ridley Scott’s 1982 Cyberpunk film-noir adaptation of the 1968 Philip K. Dick novel Do Androids Dream of Electric Sheep? changed science fiction forever. Similarly to how Star Wars and 2001: A Space Odyssey had done previously, and how later The Matrix would, the genre could never be the same after Blade Runner.  Continue reading...

There have been countless words written about kick drum synthesis and layering kicks within Ableton and Logic (in these pages and elsewhere), so I thought I’d try and bring something new to the table.  Continue reading...

Subtractive synthesis is easily the most important type of synthesis you will come across. Why? Because everything that falls under the subtractive umbrella term has gone on to directly influence other types of synthesis such as additive, wavetable, frequency modulation and nearly kaanything else you can think of.  Continue reading...