Guitar Rig is Native Instruments very own guitar amp and cabinet simulator. Much of their modules included in the software is an overt nod to a real-world amp, microphone or guitar pedal, however as they don’t own the copyright, many of the names are allusions to the gear they are emulating.
Back in 2013 Daniel Duque Campayo wrote this excellent post on Guitar Rig equivalencies. It’s great, but sadly out-of-date, so I thought I’d copy it verbatim and update where I could (and edit where I disagree). Check out Guitar Rig here.
Amplifiers
As well as the classics from Marshall, Orange, Vox, Fender et al, Guitar Rig 6 introduced a few new amplifiers in the Bass Invader, Chicago, Fire Breather and a few new Marshall Plex models. Some of these don’t emulate a specific real-world amplifier.
- AC Box (Vox AC30)
- Bass Invader (models the rock and indie sound of the late 1980s and 1990s)
- Bass Pro (Ampeg SVT-2 Pro)
- Chicago (generic vintage amp from the 1950s)
- Citrus (Orange Overdrive OD120)
- Cool Plex and Hot Plex and Plex (in the style of various vintage Marshall amps)
- Fire Breather (models the sound of a contemporary British amplifier)
- Gratifier (Mesa/Boogie Dual Rectifier)
- Hot Solo+ (Soldano Hot Rod 100 + or SLO-100)
- High White (Hiwatt DR-103)
- Plex (Marshall 1959 SLP)
- Jazz Amp (Roland Jazz Chorus-120)
- Jump (Marshall JMP)
- Lead 800 (Marshall JCM800 Lead)
- Rammfire (Mesa/Boogie Dual Rectifier)
- Twang Reverb (Fender Twin Reverb)
- Tweed Delight (Fender Tweed Deluxe)
- Tweedman (Fender Bassman)
- Ultrasonic (Bogner Überschall)
- Van 51 (Peavey 5150 or Peavey 6505)
Cabinets
Often these are pairs for their respective amp head. Without being really in tune with what these sound like, as a general rule of thumb I expect the smaller the cabinet to sound tinnier and boxier, but it’s really down to the head you pair it with.
- DI Box
- 2 x 12 AC Silver (Vox AC 30 Silver Alnico Speakers)
- 2 x 12 AC Blue (Vox AC30 Blue Bulldog)
- 4 x 12 Citrus (Orange PPC 412 V30s)
- 4 x 12 Gratifier (Mesa Rectifier 4×12 V30s)
- 4 x 12 High White (75 Hiwatt SE4123 50w Fane Purple)
- 4 x 12 UK 60s Green (Marshall 1960 G12Ms)
- 4 x 12 UK 70s Black (Marshall 1960 V30s)
- 4 x 12 UK 70s White (Marshall Basketweave G12Ls)
- 4 x 12 UK 80s Black (Marshall 1960 JBL K120s)
- 4 x 12 UK 80s White (Marshall 1960 G12T 75s)
- 4 x 12 Hot Solo+ A (Soldano 412B Eminence S12Xs)
- 4 x 12 Hot Solo+ B (Soldano 412B Eminence Legend)
- 2 x 12 Jazz (Roland JC 120 Roland 12s)
- 2 x 12 Twang (Fender Twin Jensen C12Ns)
- 2 x 15 Twang (Fender Dual Showman JBL D130s)
- 4 x 10 Tweed (Fender Bassman Jensen P10Qs)
- 1 x 12 Tweed (Fender Tweed Deluxe Jensen P12R)
- 4 x 12 Ultra A (Bogner Uberkab Celestion G12T)
- 4 x 12 Ultra B (Bogner Uberkab Celestion Vintage 30s)
- 4 x 12 Van 51 (Peavey Sheffield 51501200s)
- 8 x 10 Bass Pro (Ampeg SVT 810 SVT 10s)
- 4 x 10 Bass Alu (Hartke 4.5XL Aluminum 10s)
- 1 x 15 Bass Vintage (Supro Thunderbolt Jensen Speaker)
- 2 x 12 American (similar to a Fender Super-Sonic 60 212)
- 2 x 12 British (Vox AC30)
- 4 x 12 Vintage (Marshall1960 JTM50 4×12 75W cabinet)
- 4 x 12 Modern (ENGL E412VG)
- 4 x 12 Rammfire A & B (Mesa Rectifier 4×12)
Microphones
Note that not all microphones are available on every cabinet, most only allow for the Rib 121, Dyn 57, Con 87, Rib 160 and Dyn 421. Condenser microphones might pick up more top-end detail where as dynamic microphones respond better to a higher output level. Typically ribbon microphones are softer and silkier at the top with a rounder bottom end. Most cabinets can have the Cap, Cap Edge or Cone position selected. The cap should give you a brighter tone than the cone, which is usually darker.
- Con 30 (Earthworks M30)
- Con 47 (Neumann U47)
- Con 54 (Neumann KM54)
- Con 67 (Neumann U67)
- Con 87 (Neumann U87)
- Con 149 (Neumann M149)
- Dyn 6 (Audix D6)
- Dyn 20 (Electro-Voice RE20)
- Dyn 40 (Heil PR40)
- Dyn 57 (Shure SM57)
- Dyn 112 (AKG D112)
- Dyn 421 (Sennheiser MD421)
- Dyn 441 (Sennheiser MD441)
- Rib 121 (Royer R-121)
- Rib 160 (Beyerdynamic M160)
Effects Units
Guitar Rig has expanded the effects units beyond version 5 to include many more idiosyncratic and creative units that go beyond simple guitar effects pedal clones.
Delay & Echo
As well as some models of classic delay pedals there’s more generic delays.
- Delay Man (something like an Electro-Harmonix Memory Man)
- Psyche Delay (pseudo late 60s delay with reverse mode and pitch-shifting FX)
- Quad Delay
- Replika (NI’s own creation)
- Tape Echo (Roland RE-201)
- Traktor’s Delay
- Twin Delay
Distortion
There are distortion pedals ranging from boosts and light overdrives to more saturated distortions and high-gain fuzz pedals.
- Big Fuzz (Electro-Harmonix Big Muff Pi)
- BITE
- Cat (Pro Co RAT)
- Demon (MXR Dime Distortion DD11)
- Traktor’s Digital LoFi
- Dirt
- Distortion (Boss DS-1)
- Fuzz (Arbiter Fuzz Face)
- Gain Booster
- MeZone (Boss MT-2 Metal Zone)
- Traktor’s Mulholland Drive
- Skreamer (Ibanez TS-808 Tube Screamer)
- Sledge Hammer (Marshall Jackhammer JH-1)
- TransAmp (Tech 21 SansAmp GT2)
- Treble Booster (Dallas Rangemaster Treble Booster)
Dynamics
A major developed from version 5 to 6 is the expansion of the dynamic modules, now including some Softube modelled compressors. Most compressors falls into three categories, FET compressors are extremely fast in their response, tube compressors are slower, VCAs fall somewhere in the middle (although this is an extreme over simplification).
- Fast Comp (FET Compressor, similar to UREI 1176)
- Limiter
- Noise Gate
- Noise Reduction
- Solid Bus Comp (SSL Bus compressor)
- Solid Dynamics (SSL Channel-strip compressor)
- Stomp Compressor (generic VCA style foot pedal compressor)
- Super Charger and Super Charger GT
- Transient Master
- Tube Compressor (generic tube compressor)
- VC160 (dbx 160 VCA compressor)
- VC2A (TELETRONIX LA-2A tube compressor)
- VC76 (Urei 1176 FET compressor)
- Volume Pedal
EQ
This category hasn’t changed significantly, except with the addition of an SSL channel strip style parametric EQ.
- Custom EQ
- EQ Graphic
- EQ Parametric
- EQ Shelving
- Solid EQ (SSL Channel Strip EQ)
Filters
Aside from a few types of wah pedal there are some more musical and interesting auto filters. Users of Reaktor might recognise the Driver filter/distortion.
- AutoFilter
- Cry Wah (Dunlop Cry Baby)
- Doppel Filter
- Driver
- Filterbank (moogerfooger MF-105M MIDI MuRF)
- Traktor’s Formant Filter
- Traktor’s Peak Filter
- Pro-Filter (Sequential Circuits Prophet-5 filter section)
- Real Wah (Real McCoy Custom RMC-1)
- Talk Wah (Heil Sound Talk Box)
- Wah Wah (Vox Clyde McCoy wah pedal)
Modifier
These units that are more akin to modular synthesiser CV modulation sections. These take various signals generated either internally (in the case of the analog sequencer, LFO and step sequencer) or from the guitar or input signal itself (envelope and input level) and use that to generate modulation that can be paired with anything else in Guitar Rig. It’s extremely powerful and goes way beyond what’s easily possible with a standard guitar pedalboard.
- Analog Sequencer
- Envelope
- Input Level
- LFO
- Step Sequencer
Modulation
Some more esoteric additions like the Choral, Flair, Freak and Phasis have been added in version 6, otherwise the usual candidates are here, mostly 70s and 80s chorus, flanger and phaser units.
- Choral
- Electric Lady (Electro-Harmonix Electric Mistress)
- Ensemble (Boss CE-1 Chorus Ensemble)
- Flair
- Flanger/Chorus (TC Electronic Stereo Chorus & Flanger)
- Freak
- Phaser 9 (MXR Phase 90)
- Phasis
- Rotator
- Stereo Tune (Harmonix Stereo Polychorus MK2)
- Stoned Phaser (Electro-Harmonix Small Stone)
- Tremolo (Boss TR-2 Tremolo)
Pitch
Calling this section pitch is perhaps doing it a disservice, as the harmonic synthesiser is a full on timbral changing unit, and the Rescochord and Transpose Stretch are very creative and atypical for a guitarist.
- Harmonic Synthesizer (Electro-Harmonix Micro Synthesizer)
- Octaver (Boss OC-2 Octave)
- Pitch Pedal (DigiTech WH-4 Whammy)
- Resochord
- Traktor’s Transpose Stretch
Reverb
Like the compression section there are some Softube additional here (both Lexicon models). Other than that there are the usual candidates (plate, spring, chamber, room, hall etc) and some more interesting octave pitch-shift reverbs like IceVerb and Replika Shimmer.
- IceVerb (Mooer Shim Verb)
- Reflektor and Little Reflektor (version of Native Instruments Reflektor, impulse response-based)
- Octaverb
- RC24 (Lexicon 224 Reverb)
- RC48 (Lexicon 480L Reverb)
- RAUM
- Replika Shimmer
- Spring Reverb
- Studio Reverb
- Traktor’s Reverb
- Vintage Verb
Special FX
These are most ported from Traktor and are tempo based amplitude effects that cut up and process the signal like BeatRepeat or similar. The Grain Delay is highly creative and the ring modulators could arguably be in the “pitch” section. Tricky FX to use but deeply rewarding if you get something useable out of them.
- Traktor’s Beat Slicer
- Traktor’s Beat Master
- Traktor’s Gater
- Grain Delay
- Traktor’s Reverse Grain
- Ring Modulator (moogerfooger MF-102 Ring Modulator)
- Traktor’s Ring Mod
Tools
These are utility devices that help compartmentalise you modules as well as split and divide the sound.
- Container
- CrossOver
- Split Mix
- Split M/S